chanel 1937 dress | house of chanel chanel 1937 dress Full length evening dress and cape of silk satin and net embroidered with sequins, designed by Coco Chanel for CHANEL, Paris, Autumn Winter 1937.
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1937. Not on view. Beyond the archetype of the soft cardigan suit, Chanel in the 1930s created dresses of tiered and contrived lace akin to modern architecture. Inherently the lace and small .Chanel's most iconic design, immediately recognizable in its endless .This dress exemplifies how the designer met this challenge. Working with the conventional hour-glass silhouette of the period, Chanel marks this dress as her own through her use of ruffled .1937. Not on view. Beyond the archetype of the soft cardigan suit, Chanel in the 1930s created dresses of tiered and contrived lace akin to modern architecture. Inherently the lace and small ruffles seem insubstantial, but Chanel uses the pliant form as the inherent structure for a lightly fabricated dressmaking.
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This dress exemplifies how the designer met this challenge. Working with the conventional hour-glass silhouette of the period, Chanel marks this dress as her own through her use of ruffled black chiffon, a textile she frequently employed for evening wear the 1930s.
Full length evening dress and cape of silk satin and net embroidered with sequins, designed by Coco Chanel for CHANEL, Paris, Autumn Winter 1937.In this afternoon dress, Chanel used self-fabric, cut-out flowers to embellish the neckline and unusual split sleeves. Individual daisies were carefully cut from a length of the filmy chiffon, stacked, and sewn around the scooped neckline and sleeves.Evening ensemble, 1937–38 Throughout the 1930s Chanel continued to exploit the dramatic possibilities of black, often using it to enhance the romantic and seductive appeal of her lace evening.This afternoon dress by Gabrielle Chanel for CHANEL, from Spring Summer 1937 is made from alternating panels of delicate machine-made lace and tulle, the translucent fabrics and gracefully scalloped neckline giving the garment a lingerie feel.
During the 1930s Chanel continued to exploit the dramatic possibilities of black, often using it to enhance the romantic and seductive appeal of her lace e. Gabrielle "Coco" Chanel, "Etoiles" navy blue tulle and sequin evening dress 1937. Lent by Beverley Birks. ©The Museum of FIT
Coco Chanel. for Chanel. The decoration of sequined fireworks on this evening dress, which was worn by the Countess Madeleine de Montgomery to Lady Mendl's 75th birthday party in 1939, is a.Title: Evening dress. Design House: House of Chanel (French, founded 1910) Designer: Gabrielle Chanel (French, Saumur 1883–1971 Paris) Date: 1937–38. Culture: French. Medium: silk, rayon, horsehair, linen. Credit Line: Gift of Mlle. Chanel, 1955. Accession Number: C.I.55.61.2a, b1937. Not on view. Beyond the archetype of the soft cardigan suit, Chanel in the 1930s created dresses of tiered and contrived lace akin to modern architecture. Inherently the lace and small ruffles seem insubstantial, but Chanel uses the pliant form as the inherent structure for a lightly fabricated dressmaking.This dress exemplifies how the designer met this challenge. Working with the conventional hour-glass silhouette of the period, Chanel marks this dress as her own through her use of ruffled black chiffon, a textile she frequently employed for evening wear the 1930s.
Full length evening dress and cape of silk satin and net embroidered with sequins, designed by Coco Chanel for CHANEL, Paris, Autumn Winter 1937.In this afternoon dress, Chanel used self-fabric, cut-out flowers to embellish the neckline and unusual split sleeves. Individual daisies were carefully cut from a length of the filmy chiffon, stacked, and sewn around the scooped neckline and sleeves.Evening ensemble, 1937–38 Throughout the 1930s Chanel continued to exploit the dramatic possibilities of black, often using it to enhance the romantic and seductive appeal of her lace evening.This afternoon dress by Gabrielle Chanel for CHANEL, from Spring Summer 1937 is made from alternating panels of delicate machine-made lace and tulle, the translucent fabrics and gracefully scalloped neckline giving the garment a lingerie feel.
During the 1930s Chanel continued to exploit the dramatic possibilities of black, often using it to enhance the romantic and seductive appeal of her lace e. Gabrielle "Coco" Chanel, "Etoiles" navy blue tulle and sequin evening dress 1937. Lent by Beverley Birks. ©The Museum of FIT
Coco Chanel. for Chanel. The decoration of sequined fireworks on this evening dress, which was worn by the Countess Madeleine de Montgomery to Lady Mendl's 75th birthday party in 1939, is a.
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chanel 1937 dress|house of chanel
